The Neurology of the Soul

Written and directed by Edward Einhorn

ORIGINALLY PERFORMED:

February 8 - March 2, 2019  
at A.R.T./New York’s 
Jeffrey and Paula Gural Theatre
502 W. 53rd Street (at 10th Ave)

A new play examining the nexus between neuroscience, marketing, art, and love.

With: Ashley Griffin*, Mick O’Brien*, Yvonne Roen*, Matthew Trumbull*

*Indicates member of Actor's Equity Association

Set Designer: James Boutin
Costume Designer: Ramona Ponce
Video Designer: Magnus Pind Bjerre
Lighting Designer : Jeff Nash
Sound Designer: Sadah Espii Proctor
Assistant Set Designer: Tiffany Lee
Stage Manager: Berit Johnson
Production Assistants: Chelcie Parry, Ruth Waverly

Art Curator: Marnie Benney
Graphic Design (image above): Clinton Corbett

For information on the A.R.T./New York Theatres including directions and accessibility information, please visit www.art-newyork.org/your-visit.

Performance space for this production was subsidized by the A.R.T./New York Theatres Rental Subsidy Fund, a program of the Alliance of Resident Theatres/New York (A.R.T./New York).

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council

as well the Schapiro Fund,

Lower Manhattan Cultural Council

New York State Council on the Arts

Graphic Design by Clinton Corbett

Reviews

"The acting is excellent, and the direction and writing superb....Writer/director Einhorn handles the depths of these kinds of dilemmas with an impressive ease. As a neuroscience writer, I can attest that this is difficult to achieve. "

— Stephen Macknik,
Scientific American

"A fascinating creative deep dive into neuroscience and its application in 21st century marketing......All four performers give flawless performances...Einhorn's powerful directorial vision is evident in every moment."

— Jacquelyn Claire,
Stage Biz

"The production's video design (by Magnus Pind Bjerre) and sound (by Sadah Espii Proctor) are excellent, particularly when Amy's exhibition takes over the set (by James Boutin)...Mr. Trumbull cracks to reveal pain, self-awareness and strong-willed dignity.  It's a subtle performance, the sneaky anchor to the show, and gradually we realize we've fallen for him." 

— Laura Collins-Hughes,
The New York Times